Book Club

Ain’t No Grave explores the evolving friendship of a Jewish boy and a Black girl from backwoods Georgia through their adulthood in 1913 Atlanta, where they become enmeshed in the pivotal murder trial of Leo Frank. Nine-year-olds Max Sassaport and Ruby Johnson are best friends who can’t imagine a world where they aren’t together. Unfortunately, no one—not their families, nor anyone else in rural Georgia in 1906—wants to see a White middle-class Jewish boy get too close to the Black daughter of a sharecropper. It’s only a matter of time before fate will separate the two. And that day comes on the eve of Ruby’s womanhood, when a violent act sends her running from her home to the life of a child laborer at the National Pencil Factory in Atlanta.

Max moves to Atlanta a few years later, still longing for the girl he has never forgotten. He is soon taken under the wing of Harold Ross, star reporter for the Atlanta Journal. But when Max is assigned to a controversial murder case that pits the Black and Jewish communities against each other, he’s unexpectedly reunited with Ruby. The bond between them is still strong, but with the trial igniting racial tension throughout Atlanta and across the nation, do Max and Ruby dare dream of a future together?

Ain’t No Grave is one of two Jewish Community Library 2024-2025 One Bay One Book selections. One Bay One Book is a year-long conversation connecting Bay Area readers through discussions and events centered around selected current Jewish literature and its themes.

Anne Berest’s The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life.
Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

In this novel of the glittering and gritty Jazz Age, a young aspiring photographer named Dorothea Lange arrives in San Francisco in 1918. As a newcomer—and naïve one at that—Dorothea is grateful for the fast friendship of Caroline Lee, a vivacious, straight-talking Chinese American with a complicated past, who introduces Dorothea to Monkey Block, an artists’ colony, and the bohemian heart of the city. Dazzled by Caroline and her friends, Dorothea is catapulted into a heady new world of freedom, art, and politics. She also finds herself falling in love with the brilliant but troubled painter Maynard Dixon. As Dorothea sheds her innocence, her purpose is awakened, and she grows into the artist whose iconic Depression-era “Migrant Mother” photograph broke the hearts and opened the eyes of a nation.

A vivid and absorbing portrait of the past, The Bohemians captures a cast of unforgettable characters, including Frida Kahlo, Ansel Adams, and D. H. Lawrence. But moreover, it shows how the gift of friendship and the possibility of self-invention persist against the ferocious pull of history.